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“The advice might seem obvious: do the thing you talk about you want to do, that is the key,” says James McGregor, singer, songwriter, guitarist and thinker of four-piece rock and rollers The Clockworks.

GALWAY is their origin, but London is now their base of operations, and the experience - the good, bad, inspiring, and repellant - of one of the world’s major cities is captured in The Clockworks’ new single.

THIS YEAR has, as Stephen Fry noted at the onset of the Covid-19 pandemic, been "a very dark time for the performing arts". A sector so reliant on human interaction; the gathering together of people; and which lives on the shared experience, remains one of the most profoundly affected, and curtailed, areas of life and activity.

THE CLOCKWORKS, one of the most exciting bands to have emerged from Galway in recent years, have covered Oasis' 'Some Might Say' to mark 25 years of (What's The Story) Morning Glory?

TOMORROW, FRIDAY August 14, The Clockworks - one of the most exciting bands to come out of Galway in recent years - will release their new single, 'Can I Speak To A Manager?'.

ADDICTION, DEBT, apathy, helplessness - life depicted by The Clockworks is grim, but they are one of the few indie bands to deal directly with the realites for those who do not fall comfortably within the Leo Varadkar's 'people who get up early in the morning' definition.

THE CLOCKWORKS, one of Galway's most exciting bands, and who have been gaining attention abroad, release their new single, 'Rumours In The Stockroom', on Friday February 16.

ONE OF Galway's most exciting young bands, The Clockworks, landed in Toronto this week, having been selected as one of only a couple of Irish bands to play at Canada's Indie Week.

THE CLOCKWORKS, one of the most impressive young Galway bands on the scene today, who have released a number of promising singles, play The Cellar this weekend.

HOT CHOCOLATE may have boasted about love being in the back seat of lead singer Errol Brown's motocar, but for the character who narrates The Clockworks' new single, the back seat of a old Mazda is a much more squalid place.