Search Results for 'Patrician Musical Society'

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The Town Hall, a brief history

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In 1639, the Corporation ordered that some of the shops and buildings adjacent to the market be pulled down and “all the same be reduced into a strong sufficient stone house, covered with slate and to be underpropped with good stone pillars, whereby way through it shall be to the said church”. The proposed building was to be opposite the present Anthony Ryan’s shop and was to be a Tholsel or premises for the town clerk, for the Corporation records and for meetings of the Common Council.

The Patrician Musical Society

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On this day, February 29, 1952, a meeting was held in the Bish the purpose of which was, “That a choral society titled the Patrician Choral Society under the auspices of the Patrician Brothers Past-Pupils’ Union be here and now formed.” The motion was proposed, seconded and passed unanimously. Jack Browne was elected President, Thomas Lydon as Vice-President, Jack Doherty and Brother Cuthbert as directors and Jack Begley as Treasurer.

The Patrician Musical Society

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The first musical production by a Galway Musical Society in the 20th century was ‘The Messiah’ performed by the Galway Orchestral Society in 1902 and we know, they also performed in the Court Theatre in 1903. In 1907, the Technical Choral Society was formed under the baton of Clement Leaper, headmaster of the Technical School. In 1924, Miss Mai Fogarty produced ‘The Bohemian Girl’ and later ‘The Pirates of Penzance’ but after that there was no notable musical society until the 1950’s.

The Patrician Boys’ Brass Band

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When you think of it, the Patrician Brothers have made a major impact on the city of Galway since they came here. This has been particularly evident in the music world of the city — they set up a fife and drum band well over a century ago; they have trained countless choirs down through the years, which in turn led to the formation of the Patrician Musical Society; they have formed many céilí bands, teaching the boys to play the accordion, the flageolet, the mouth organ, the triangle, the drums, and castanets. There was such a demand for these céilí groups at civic functions that the brothers decided to put their best foot forward and form a brass band.

Amigo Productions to fly over the cuckoo’s nest

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NEW GALWAY community theatre company Amigo Productions makes its bow next month with Ken Kesey’s classic One Flew Over The Cuckoo’s Nest. The play runs at An Taibhdhearc in November, with all proceeds going to Pieta House West.

PMS to hold cheese and wine night as work begins on its next musical comedy

The Patrician Musical Society is back on song and the group will present the hilarious musical comedy How the West Wasn’t Won in the Town Hall Theatre for four nights at 8pm from October 5 to 8.

Galway Patrician Musical Society new show

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HOW THE West Wasn't Won, a new comedy musical by Peter Kennedy, parodying Calamity Jane, Annie Get Your Gun, and Oklahoma! is to be staged by the Galway Patrician Musical Society.

Hard decisions in approving arts grants to ninety-three groups

A total of 93 groups across Galway are to share in €385,000 in funding this year under the Galway City Council’s Arts Grants 2016 scheme.

'There’s never a dull moment'

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ON THE night of Thursday February 1 1996, Galway’s newly refurbished Town Hall Theatre officially opened with the world premiere of Druid’s production of Martin McDonagh's The Beauty Queen of Leenane.

Two decades of comfort and culture

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Out back in the darkness, back beyond the velvet and the drapes and the flats that hold up the set, there are the steep stairs, bounding down them, throwing your lines together in your head, rubbing makeup into your neck, the smell of sweat and talc and panic and calmness. Up here, you can hear nothing, ‘cept for the occasional applause. And as you exit that far flung dressingroom, with your costume change completed, you struggle not to be distracted by the lane outside. Up here you could be anywhere, but in a minute you’ll be on stage in front of 400 souls. And when you wait in the green room and keep an eye on the monitor to see where your fellow cast members are at in the story you are telling your audience, you can feel the hairs rising and you rise and stretch and go through your routine, before completing the journey down to backstage. Back here in the darkness, you wait for your cue, you get into the mental space, you feel the reassuring squeezes of your fellow cast members. And you wait.

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