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In August 1896 WB Yeats and his friend Arthur Symons went on a tour of the west of Ireland. The poet was 31 years of age. They stayed with Edward Martyn at Tulira Castle, Ardrahan, visited the Aran Islands, and Yeats made his first visit to Lady Gregory at Coole Park.

You might think that those at the core of the Irish literary renaissance at the beginning of the 20th century, were one big happy family beavering away in their rooms at Lady Gregory's home at Coole, Co Galway. In those early days it was a house full of voices and sounds. Sometimes you heard WB Yeats humming the rhythm of a poem he was cobbling together; or the click-clacking of Lady Gregory's typewriter as she worked on another play for the Abbey. There was the sound of the Gregory grandchildren playing in the garden; the booming voice of George Bernard Shaw, as he complains that he is only allowed to have either butter or jam on his bread, but not both to comply with war rations (He cheated by the way. He put butter on one side of his bread, and when he thought no one was looking, piled jam on the other!); or the voices of the artist Jack Yeats and JM Synge returning from a day messing about on a boat calling out to a shy Sean O'Casey to come out of the library for God's sake and enjoy the summer afternoon.

The highly successful Lady Gregory Autumn Gatherings will continue in Coole Park, Gort, from Friday September 24 to Sunday September 26. Recognising the remarkable influence of Lady Augusta Gregory on the development of Irish theatre and literature, this 16th gathering highlights her unique inspiration for the early foundations of the Abbey Theatre.

You might think that those at the core of the Irish literary renaissance at the beginning of the 20th century, were one big happy family beavering away in their rooms at Lady Gregory’s home at Coole, Co Galway. In those early days it was a house full of voices and sounds. Sometimes you heard WB Yeats humming the rhythm of a poem he was cobbling together; or the click-clacking of Lady Gregory’s typewriter as she worked on another play for the Abbey. There was the sound of the Gregory grandchildren playing in the garden; the booming voice of George Bernard Shaw, as he complains that he is only allowed to have either butter or jam on his bread, but not both to comply with war rations (He cheated by the way. He put butter on one side of his bread, and when he thought no one was looking, piled jam on the other!); or the voices of the artist Jack Yeats and JM Synge returning from a day messing about on a boat calling out to a shy Sean O’Casey to come out of the library for God’s sake and enjoy the summer afternoon.

TOMORROW, SATURDAY, and Sunday, the fabled Coole Park plays host to the 14th annual Lady Gregory Autumn Gathering which, as ever, features a top-notch array of speakers and performers coming together to celebrate Lady Gregory and her world.

Ireland has every possibility of getting back the 39 controversial paintings, willed to the Irish people by art collector Sir Hugh Lane at the beginning of the 20th century, but which remain in London because the codicil to his will was not witnessed. “Hugh Lane’s intentions were absolutely clear”, the dynamic director of the Hugh Lane (formerly Dublin City) Gallery, Ms Barbara Dawson said in Coole last weekend, “there is no reason on earth why the paintings are not on Irish soil permanently.”