Search Results for 'Belfast College of Art'

Historic paintings of Galway are scarce enough so it is always good to come across them. Our image today is one of the Claddagh painted by Charles Lamb in the 1930s. It is hardly surprising that visitors, painters, poets, and novelists were attracted to this fishing village that was in Galway, but not of it. They were all fascinated by the odd assortment of thatched cottages, built at haphazard angles, with intersecting streets and lanes in which one could lose one’s way within a couple of acres. Sometimes they were built in irregular squares or circles around little greens where the young children played. The houses were very small, and while some showed signs of poverty, most were very clean and neat. The back doors of many of the houses looked into the front door of their neighbours, and though the buildings were quaint, picturesque, and romantic, modern sanitation was unknown there.

Historic paintings of Galway are scarce enough so it is always good to come across them. Our image today is one of the Claddagh painted by Charles Lamb in the 1930s. It is hardly surprising that visitors, painters, poets, and novelists were attracted to this fishing village that was in Galway, but not of it. They were all fascinated by the odd assortment of thatched cottages, built at haphazard angles, with intersecting streets and lanes in which one could lose one’s way within a couple of acres. Sometimes they were built in irregular squares or circles around little greens where the young children played. The houses were very small, and while some showed signs of poverty, most were very clean and neat. The back doors of many of the houses looked into the front door of their neighbours, and though the buildings were quaint, picturesque, and romantic, modern sanitation was unknown there.